

The Program is a precursor to Cam'ron's highly anticipated sequel to his 2006 album Killa Season, which is slated for a release this year. Ye references aside,The Program is a 15 track project with a multitude of producers ranging from Just Blaze, AraabMuzik, Dollavision, ADM, REK, JB Music and more.

The feud came back into the spotlight after Hov released "Kill Jay Z" on 4:44 and Cam goes between taking shots at Kanye, to encouraging his mentality. On Coleslaw, Cam kicks off the track speaking on the Kanye and Jay Z feud that rolled out over the last couple years. Hey guys for Complex News, I'm Natasha Martinez.Ĭam'ron released his mixtape The Program earlier this week and he had some lines for Kanye West. Check out The Program for more of Cam's fire. On one hand, Cam appears to be throwing shots at Kanye, but on the other hand, Killa Cam is also encouraging 'Ye to stand behind his words. No matter what, it's an interesting verse. It's hard to tell what made Cam address the situation, aside from a longstanding (and still extant) antagonism towards Hov. If you regret it, then dead it, but if you said it, you said it What he do next? Check into the crazy house?įuck that, you made a living talking greasyīesides that, man, you Yeezy with the YeezysĪnd fuck that, 'Ye, I been that way since yay tall Kanye got on stage, what he do? Play Jay-Z out You only like it when I'm ignorant, so that's exactly what you get," Cam went in. After saying "you don't like it when I'm nice. On the mixtape's fourth track, "Coleslaw," Cam starts things off speaking about the situation between Kanye West and Jay Z, which rose back into conversation via Hov's "Kill Jay Z" on 4:44. After gracing ComplexCon over the weekend ( with a gang of puppies), we didn't know WHAT to expect from Cam's new project, The Program, although he did drop some hints at the material he'd be releasing, posting on Instagram earlier this week that he was "on some bullshit on this joint," then warning "If u emotional don't listen." Who was thinking that this meant he had some lines ready for Kanye West? Taking that into account, the album is exceptional and a good enough excuse for two more years of mouthing off and starting trouble.This time last week, all we knew was that Cam'ron was dropping his latest mixtape. Killa Season would have benefited from trimming and better planning, but those things are extremely rare in the world of Dipset. The memorable "Wet Wipes," the Alchemist-produced "Something New," and "Touch It or Not" with Lil Wayne are all sane and hooky enough to reach past the core audience, proving the man hasn't lost touch. Every doctor visit is chronicled and the scatological puns are numerous, but the hardcore Dipset fan will jump right ahead to "You Gotta Love It," an ambitious Jay-Z dis that has no shame ("It was Rocawear/When Dame had it/Now you got it/Call it Cockawear" or the slaying observation that the Def Jam boss has actually worn sandals with jeans!). Best of the latter and best of show is the great "I.B.S.": a quirky number that explains Cam'ron's significant weight loss was due to irritable bowel syndrome.
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Plus, when the leader of one of hip-hop's most irresponsible crews announces he's the man to wipe pedophiles off the Internet with a series of entrapments that are caught on tape and released on Dipset DVDs, you've got wonder what in the world this mixtape-spewing, freak-show ringmaster has going on upstairs, and where's the music to convince everyone they should care? The overly long and scattershot Killa Season won't convince everyone as it literally laughs at detractors, shoves most of its fire to the end of the album, and carelessly bounces from cold gangsta to vulnerable.
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He was also the victim of a botched carjacking with all sorts of questions orbiting around it, and he directed an over-the-top movie that shares this album's title. There was his beef with Mase and his bigger beef with Jay-Z, which found Cam'ron fighting battles for Damon Dash while Dash just shrugged. The two years leading up to Killa Season found Dipset leader Cam'ron coming off as more of a newsmaker than a rapper, and the news was often bad, mostly confusing and oddball.
